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To analyse means to watch again. To turn a largely «unconscious» process into a «conscious» one. To recognise, comprehend, describe and interpret
Thomas Hässler
Seeing film as an art form requires that we become aware why a movie is the way it is, and not another. At the core of the matter is choice.
Thomas Hässler
Released 30 years ago, Gere, Basinger and Thurman could've made the perfect casting couch, but we were not ready for that conversation
Thomas Hässler
Michael Fassbender big-screen debut! Doesn't that count for something? Ahu! Ahu! Ahu! (See? I brought better sub-headlines than you)
Thomas Hässler
These kids are in big trouble. No sequel looms over the horizon with such an anemic performance and reception in its first-run
Thomas Hässler
Or how Netflix inflates viewership data to fool you
Thomas Hässler
Laughing all over its way to the bank and at its detractors, its massive commercial success "proved" one thing: No incel revolution happened
Thomas Hässler
Like a mild Greek tragedy, writers can sometimes be cruel like the gods, even in a movie that it's supposed to feel good
Thomas Hässler
Back in the 90s, when 'meta' wasn't a buzzword, this little slasher film was ready to disrupt the teen-horror sub-genre to its core
Thomas Hässler
With "Ghostbusters: Afterlife" out in cinemas, join me as I take a look at some of the visual effects of the original Ghostbusters
Thomas Hässler
"All Frankenstein films that followed assembled body parts from various corpses to make the monster. This is the only one where the monster is truly…
Thomas Hässler
Nearly a decade after its first major appearance, Universal decided to exploit its mummy intellectual property and turned it into a quadrilogy reboot
Thomas Hässler
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